摧花手

简介：《灵药危情》讲述的是被宠坏的大小姐乐华与骁阳城方明之间的故事。

简介：Whitney Cameronn (Cotten), a man with a strong affection for his sister-in-law (Peters). When one of her stepchildren dies, it's revealed that the child was poisoned to death. Whitney suspects his sister-in-law committed the murder and is afraid that her other son may be in danger. The film climaxes during an ocean voyage aboard a cruise ship.

简介：影片通过一位老师和八位学生之间的感人故事，凸显艰苦条件下教师职业的伟大，是对广大辛勤教师无私奉献精神的歌颂与赞扬。

简介：美国导演泰勒派瑞执导与主演的丧尸喜剧电影，描述在万圣节夜里，比丧尸更恐怖的是黑人大妈梅迪亚......

简介：黄太太独力抚养儿子ALEX，长大后的ALEX是广告界才子，与产科医生阿彤结婚。五年来，小两口虽未有所出，但一家的生活也其乐融融。好景不常，ALEX意外丧生，死前道出与女友黑仔发生关系，黑仔怀有身孕，希望阿彤代为照顾。彤料不到丈夫竟有外遇，黄太太老年丧子要彤找出黑仔。原来黑仔乃野性豪放女孩，黄太太愿付出一百万给黑仔，希望她将孩子生下来，三女共住一室，矛盾由此产生。

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简介：

　　出品单位: 河南大象影视制片有限公司
　　画家叶子意外得到母亲的日记后，对母亲离奇死亡和自己的身世之谜产生怀疑，并开始调查。为了解当年所发生的事情，她来到母亲插队过的地方了解情况，在此过程中她巧遇生父解开了自己的身世之谜以及母亲的死亡原因……

简介：该电影讲述了父亲去世、靠收废品为生却坚持照顾入院母亲和叛逆妹妹的口吃青年偶然间接触到嘻哈，凭借对音乐的热爱谱写而出青春物语的故事。

简介：In 1828 Scotland, Edinburgh surgeon Dr. Knox does medical research on cadavers he buys from murderers Burke and Hare, without questioning the unethical procurement methods.

简介：

　　A happily married man awakens from a coma losing the last five years of his life. His last recollection is buying a wedding ring...for his ex girlfriend. Will his heart remember what his brain forgot.

简介：大概是法国第一部描写女同志的故事片吧。　　Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a landmark of lesbian representation. Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.　　French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.

简介：内详